Wilde Applause proudly specialises in the creation and delivery of unique, interdisciplinary performing arts and entertainment to the cultural/ community, education and corporate sectors.
Established by Allie Wilde in 2008, Wilde Applause produces new works, promotes existing works, manages artists and collaborates with presenters, agents, managers, councils, festivals, production companies and event managers locally, nationally and internationally. We are deeply committed to promoting Art and Culture in society and to directly engaging with a diverse range of audiences.
In addition to promoting and presenting performance works we offer a vast range of community based projects, workshops and artist in residence programs and offer fun, highly effective corporate team development activities and performances.
Over the last ten years, our work has been enjoyed by many thousands of geographically and demographically diverse audience members. We care about integrity, honesty, attention to detail, authenticity, accessibility and quality. Our deep passion for the arts and the collaborative process means that Wilde Applause produces art and arts programs that:
- Are tailored for your particular event, school, business or venue
- Entertain and Enthuse
- Educate and Engage
- Thrill and Fulfill
Above all, Wilde Applause is committed to furthering the presence of joy, laughter, empathy, compassion, celebration of diversity and understanding in the world.
Since walking into a Rock & Roll Circus rehearsal at the Princess Theatre in 1998, Allie Wilde has worked as a performer, director, writer, creative consultant, producer, collaborator, performer manager, programmer and program coordinator, trainer and mentor for a large variety of Australian companies including, but not restricted to: Brisbane City Council, Queensland Arts Council, Queensland Urban Utilities, Jack Morton International, Uhan Shii Cultural Collaboration & Theatre Company (Taiwan), Canal City- Fukuoka (Japan), SunPAC, Strut & Fret Production House, Arts Centre Gold Coast, Artslink, Queensland Music Festival – Youth Touring Program, Homunculus Theatre, , Izit? Entertainment, Vulcana Women’s Circus, Flipside Circus, Circa, Rock ’n’ Roll Circus, Aerial Angels, La La Parlour, Gale & Vallance, Fractal Theatre Company, Quilpie Fringe Festival, Adelaide Fringe Festival, Queensland Youth Ballet, Woodford Folk Festival, DG Theater (Netherlands), Hans De Visser (Netherlands), Surfers Paradise Festival, Surfers Paradise Alliance, Australian Circus Festival, Warrawa Arts (Taiwan), Southern Cross University, The Ekka, Slack Taxi, Hype Entertainment, Pen 2 Stage (Singapore & Brisbane), Top Chick Management, Queensland Theatre Company, Ozworks, Zest Factor, Versace (Gold Coast) and Deborah Leiser-Moore.
Allie is a recognised specialist in circus and physical theatre and interdisciplinary arts. She has trained extensively in theatre and live performance and is a highly experienced acrobat, aerialist and ‘non-arts specific spaces’ installation and roving artist. She applies a theatrical focus to all her work and enjoys collaborating with innovative, bold and edgy artists and clients. She has an extensive Australian and international performance and producing history. This experience brings a richness and depth of understanding to her work and to her relationship with the artists she engages and the clients she works with. Allie loves to collaborate and believes passionately in the value and necessity of Art to society.
Merlynn Tong is a Chinese-Singaporean Actor and Playwright who is based in Brisbane, Australia. She is also Wilde Applauses’ Executive Wizard, handling all Wizardly activities including Social Media Management, Marketing and being an unyielding assistant to Allie Wilde.
As an Actor, some of her recent performances include Ma Ma Ma Mad (2015, Brisbane Powerhouse), The Theory of Everything (2015, Brisbane Festival), The Wizards from Oz (2015, Taiwan, Wilde Applause), Hot Brown Honey (2015, Judith Wright Centre), The C Word (2014, Dir: Todd MacDonald, Metro Arts), American Music Club (2014, Brisbane Festival), The Golden Show (2012, Japan, Dairakudakan Dance Group) and hosting Out of the Box Children’s Festival (2014, QPAC).
Merlynn wrote and performed in her one-woman-show Ma Ma Ma Mad, a story based on her mother’s suicide that was published by Playlab in 2015. Her new work Blue Bones, a semi-autobiography based on her past experience with domestic violence, will be published and produced in 2016, with the support of Playlab and developmental support of Playwriting Australia (Lotus program). She is currently writing her new work Hot Wet Void with the support of the same two organisations.
Merlynn was the Training Centre Manager for Zen Zen Zo Physical Theatre from 2011-2014. During her time there, she also taught workshops in the Suzuki Method of Actor Training, Butoh Dance Theatre and The Viewpoints. Merlynn used to wear sharp suits to work in Singapore as an Advertising Executive. She now calls Brisbane home.